The VFX department then scanned the miniatures and stitched them all together, ensuring that the all-important toy quality was maintained in every scene. The establishing shots of Barbie Land and the shots of the row of shops along the boardwalk were created with miniatures. We know what that looks like and it could have easily fallen into that, but it was very carefully avoided.” That became a key thing for us and that it’s not a big CGI fest. You’re creating a world that kids feel like they can go and touch. “So that it had that tangibility and toy-like quality. “The thing that Greta wanted was as much in camera as possible,” Greenwood says. The whole process of building the cul-de-sac took nearly five months. They were also scaled up at 23%, which is the accurate proportion of a real Barbie doll to a Dreamhouse. The houses were designed in a pole-and-beam style and needed to be structurally sound, so the team constructed them from steel. Greenwood and Spencer built four Dreamhouses, including the one Robbie’s Barbie lives in, on a London soundstage in front of an 800-foot-long, three-layered painted backdrop with the sky and mountains. While the Barbie Land you see on-screen looks seamless, it took a few tricks to give the world scope. is monochromatic next to the color of Barbie Land, but it’s not monochromatic at all.” The contrast between the real world and Barbie Land is quite extreme. “The great thing about shooting the real world in Los Angeles was that we then weren’t tied to a palette. Our set for Barbie Land had to be very pure colors,” Greenwood says. These are fun, simplified, and more detailed designs, allowing younger children to develop coloring skills and fine motor skills.“Everybody used the same palette. So, everyone will find something they enjoy, whether the child is a beginner or already has coloring experience. To sum up, the pages we have prepared are suitable for all skill levels.
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